Screened at the Embassy of Germany in Islamabad on 7 December, ‘The True Cost’ is a story about the clothes we wear, the people who make them, and the impact the industry is having on our world. The price of clothing has been decreasing for decades, while the human and environmental costs have grown dramatically. ‘The True Cost’ is a ground-breaking documentary that pulls back the curtain on the untold story and asks us to consider who really pays the price for our clothing. Continue reading
‘The Land of the Enlightened’ is a complex and occasionally opaque documentary set in Afghanistan. The film was screened at the Embassy of Belgium in Pakistan on 6 December as part of the human rights film festival.
A gang of Afghan kids from the Kuchi tribe dig out old Soviet mines and sell the explosives to children working in a lapis lazuli mine. When not dreaming of the time when American troops finally withdraw from their land, another gang of children keeps tight control on the caravans smuggling the blue gemstones through the arid mountains of Pamir. In this seamless blend of fictional and documentary form, we experience a stunning cinematic journey into the beauty of war-tormented Afghanistan. Continue reading
United Nations Information Centre, Islamabad, in partnership UN Women and the Royal Norwegian Embassy held an event to mark the International Day of Persons with Disabilities. This networking event provided community representatives, diplomats and colleagues from the UN family an opportunity to discuss the challenges faced by persons with disabilities in Pakistan and voice their ideas for the future. Those who attended the event included the head of Pakistan’s Para Climbing Club Suleman Arshad, who has a visual impairment, and Abia Akram, the first Pakistani and the first woman with a disability to become Coordinator for the Commonwealth Young Disabled People’s Forum. Continue reading
The Italian “refugee island” of Lampedusa is in the firm grip of winter. Tourists have left. The remaining refugees fight to be taken to the mainland. As a fire destroys the worn down ferry that connects the island to Italy, Mayor Giusi Nicolini and the local fishermen struggle for a new ship.
A tiny community at the edge of Europe is engaged in a desperate struggle in solidarity with those who many consider the cause of the European refugee crisis: the African boat people. Continue reading
“I can’t take it anymore! This is no life. I have to return home!” cried the old man bitterly.
“But you cannot. You will be killed there. You will be dead,” argued the son.
“I am as dead here as I would be there,” replied the old man.
This dialogue captures the essence of ‘A Walnut Tree’ – the emotional and psychological trauma faced by the internally displaced persons of the Federally Administered Tribal Areas of Pakistan torn by war. Continue reading
After spending thirteen years in Spain, Hassan is jobless and decides to go back home to Morocco. He invests all his savings in a second hand tractor and takes to the road. At the end of the road awaits his family and a new life in his village. The film ‘El Rayo’ captures a real journey played by a real man who travels from town to town meeting with unforgettable characters and overcoming obstacles. Continue reading
Domestic violence affects millions of families around the world and leaves deep scars on the psyche of victims, especially children. An Australian documentary shows one of the ways in which this problem could be addressed.
‘Call Me Dad’ is a film about fathers with broken families whose children are gone. Now, through a men’s program, they each have the chance to regain what’s lost, to transform himself and earn another shot at the title, ‘Dad’.
The film was screened at the United Nations Information Centre Islamabad with the support of the Australian High Commission on November 29.
Women’s empowerment was the focus of ‘Casablanca Calling,’ a film that tells the story of a quiet social revolution in Morocco. In a country where 60 percent of women have never been to school, a new generation of women have started work as official Muslim preachers, or Morchidat. ‘Casablanca Calling’ is an intimate portrait of three Morchidat in a society in transition.
The Morchidat work in some of the poorest communities in Morocco and try to separate the true teachings of Islam from prejudice and misunderstanding. They support girls’ education, campaign against early marriage and encourage young people to build a better Morocco rather than dreaming of a life in the West.
The Embassy of Netherlands supported the screening of ‘Casablanca Calling’ at the United Nations Information Centre in Islamabad on November 28.
United Nations Information Centre (UNIC) and the Canadian High Commission in Islamabad hosted the screening of ‘Reel Injun’ on 27 November in the auditorium of ILO Building in Islamabad. In this feature-length documentary, Aboriginal Canadian filmmaker Neil Diamond takes an entertaining and insightful look at the portrayal of North American indigenous peoples in a century of cinema. Featuring hundreds of clips from old classics as well as recent releases, the film traces the evolution of the “Hollywood Indian.” Continue reading
The Embassy of Switzerland in Islamabad screened ‘Kabul Cards,’ on 26 November. As the name suggests, this film is set in the Afghan capital Kabul and gives a glimpse of women’s lives in Afghanistan.
‘Kabul Cards,’ created after three years of filming and production, shows the everyday lives of three young Afghan women who live in Kabul and are active members of civil society. The film reflects the many challenges faced by these three women and how they, together with their friends and supporters, contribute to change. Despite the many difficulties encountered in their daily lives, these young women still have big hopes regarding the future of their country and are working hard for a better Afghanistan.
The audience at the Embassy of Switzerland were thrilled to find Sakina Sadaf, co-director of the film, among them. Sakina specially came from Kabul to talk about her film and share her experiences as an Afghan woman. Later, she took questions from the audience.